The Black Arts Movement: Literary Nationalism in the 1960s and 1970s (The John Hope Franklin Series in African American History and Culture)
-
Imani Perry discusses her new book, May We Forever Stand, in conversation with Kinohi Nishikawa -
History of the socialist movement in the United States | Wikipedia audio article -
Theater in the United States | Wikipedia audio article -
Left of Black with Mark Naison -
Session 2 African American Historiography Past & Present -
02/09/18 African American History and Culture Conference -
Left of Black with GerShun Avilez -
HIST 3322 LECTURE 12A -
The 'African' in African American Religion -
The Work of Black Music
Emerging from a matrix of Old Left, black nationalist, and bohemian ideologies and institutions, African American artists and intellectuals in the 1960s coalesced to form the Black Arts Movement, the cultural wing of the Black Power Movement. In this comprehensive analysis, James Smethurst examines the formation of the Black Arts Movement and demonstrates how it deeply influenced the production and reception of literature and art in the United States through its negotiations of the ideological climate of the Cold War, decolonization, and the civil rights movement.
Taking a regional approach, Smethurst examines local expressions of the nascent Black Arts Movement, a movement distinctive in its geographical reach and diversity, while always keeping the frame of the larger movement in view. The Black Arts Movement, he argues, fundamentally changed American attitudes about the relationship between popular culture and "high" art and dramatically transformed the landscape of public funding for the arts.